Neil Young Rips Into Google

by VVN Music

Neil Young has posted a new open letter that was published on Friday (February 23) on the Neil Young Archive.

Aimed at the tech giants and, especially, Google, Young talks about the future of the music business, questioning how a new artist is expected to be able to survive. "The Tech Giants have figured out a way to use all the great music of everyone from all time, without reporting an artist’s number of plays or paying a fucking cent to the musicians. Aren’t they great companies!!!"

While the not paying a cent statement is a bit of an exaggeration (there are payments, they're just small), his premise is still sound. With physical and download sales plummeting and streaming services paying a small fraction of previous royalties, it leaves new artists with live shows and merchandise as their main source of income.

The letter eventually makes it back around to the Neil Young Archive, the singers' on-line service where all of his music is placed for streaming.  Right now, the archive is free but there will be charges for its use in the future.

Here is the text of his message:

Young artists today, great authors, songwriters and musicians at the beginning of their creative output, are challenged to make ends meet in the digital world, a world where the artist is paid last, if at all, by the Tech Giants. This came to mind somehow today, listening to Broken Arrow, an album I made with Crazy Horse about twenty years ago, in 1996.

Broken Arrow is an overlooked album. It was the first Crazy Horse album after the death of David Briggs, our producer since the beginning’s lucky “Everybody Knows This Is Nowhere.” It was engineered by Greg Archilla, who David had just introduced to us. Broken Arrow is soulful. Real. Not trying to be anything it wasn’t. I was beginning to see that hits were overrated and that hit-makers were falling like flies.

There’s a comet in the sky tonight.

Makes me feel like I’m alright

I’m movin’ pretty fast

For my size

Those lyrics from “Music Arcade” are kind of how I felt at the time. Today, in the age of FaceBook, GOOGLE, and Amazon, it’s hard to tell how a new and growing musical artist could make it in the way we did. The Tech Giants have figured out a way to use all the great music of everyone from all time, without reporting an artist’s number of plays or paying a fucking cent to the musicians. Aren’t they great companies!!! It makes you wonder where the next generation of artists will come from. How will they survive?

‘Don’t Be Evil.’ That was GOOGLE’s corporate motto as they directed users to pirate sites to get artists’ creations and not pay!! Amazing tech breakthrough!! Meanwhile, they reap the bucks from ads people read while listening to music made by the artists. GOOGLE just changed their motto to ‘Do The Right Thing,’ but haven’t changed anything else as they continue to rip off the artist community, building their wealth on music’s back and paying nothing to the artists. WOW! Brilliant tech breakthrough! BTW, GOOGLE is YOUTUBE! Guess who’s next?

I am so happy to be able to share my music and albums like Broken Arrow with you here at NYA, where you can actually hear what we did. Xstream high resolution music makes me feel like I was there. I hope you can feel it too. The more you enjoy this music, the happier I am to share it with you. NYA is moving into a future that is really different from what we have now. It will not be easy. We are going to break a few rules and give you what you want.




Silvio said...

What did you expect from shiny, shiny thieves in chic eyeglasses? Music is now doomed to nostalgia. Few if any are going to risk and seriously invest their time into producing anything new and enduring other than jingles and YouTube covers and effluvia for spec.

Silvio said...

Well, it's been since 1999 and Napster, and what did serious music people investing their time and money into creating and producing music expect from shiny thieves in chic eyeglasses? In a short time, there will be little but nostalgia to which one can listen.

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